#FiftyQuestions

Some Serious Business presents #FiftyQuestions to highlight folks who are creating, presenting, questioning, and critiquing. Each featured artist picks a handful of questions to answer.

1- What event or factor in your life has been the most pivotal in your decision to become an artist?

2- What artist do you consider most influential to your ongoing development as an artist?

3- What has been the most significant challenge you’ve faced that you overcame to continue your art practice?

4- Describe your ideal workspace.

5- What one sentence do you hope describes how your art practice will be recorded in history, and why?

6- In thinking of the lulls and gaps or lost places in your practice over the years, who or what has re-energized you?

7- What project of yours do you personally consider your most satisfying, and why – regardless of external support or accolades?

8- What are habitual internal fears and bogeymen that come up for you around making art – excluding universal concerns of time, space, money, in/adequacy, and recognition?

9- Who of all the artists who have ever lived would you most love to share your work with? And why?

10- If you could travel in time, within what era or milieu would you most like to have an artist residency? And why?

11- What is you current guiding motivation to work and/or express yourself?

12- Who or what would you most like to collaborate with?

13- Do you have a relationship with the distant future – in other words, are you making artwork that bears a message or impact for coming generations?

14- What role does your genetic or cultural background play in your practice?

15- What surprises you most about what you are doing right now in your practice? If the nine-year-old you could see you right now, what do you think they would think?

16- What do you worry you will never be able to express?

17- What emotion as an artist makes you most uncomfortable and why

18- Can you recall your first memory of bliss in self-expression?

19- Who has been your greatest mentor, living or dead, real or imaginary?

20- Do you have a relationship with an animal in your life that influences your art process?

21- What unchangeable fact has been most frustrating to you as an artist?

22- How deeply do you feel your self-expression is impacted by the field in which you work – its morés, standards, culture, legacies – and how so?

23- How would you describe your ideal relationship with other artist colleagues?

24- What do you feel are the greatest or most tenacious barriers to creating art over an entire lifetime?

25- Do your dark nights of the soul tend to be constructive or destructive to your self-expression?

26- Is destruction a positive phenomenon for you?

27- What is your artistic relationship to loss? Either personal loss, or lost works of art, or other kinds of loss?

28- When does Joy tend to visit you?

29- Who or what are you speaking to or with in your current work? Who or what would you like to speak with in your art in future?

30- If you have one goal for change in your artistic field, what would it be?

31- If you could amplify a specific sense, which would it be? If you could minimize s specific sense, which would you choose?

32- How have your years in artmaking affected or influenced your sense of self?

33- What do you suspect is your most powerful artistic blessing? Or blessing in general?

34- Have you ever had a physical illness, event, or impediment that has changed how you make or approach artmaking? And how?

35- If you could create a new public institution for your field, what would it’s mission be?

36- Who or what do you feel is most invisible to others in your practice?

37- How do you feel most often misunderstood or misperceived, either as an artist or in your work itself?

38- How important is it to you that others connect and understand and appreciate your work?

39- What is your relationship to criticism?

40- What is your relationship to praise?

41- Is there a seasonal rhythm to your practice? How so and why?

42- How would you describe the prevailing norms in your field – are you impacted by them? How or how not?

43- What is your relationship to your audience, real or imaginary?

44- What makes you most likely to shut down or go into dormancy as an artist?

45- Do you have a particular skill or knack of which you are most secretly proud? Something you feel you can do that few others can, no matter how small?

46- Which would you prefer: to be a rogue artistic outsider or to fit within a community of similarly-minded creators?

47- Describe the greatest gift someone has given to you that invigorated your artistic expression?

48- Are you more interested in the universal or the individual? How important is it to you whether you express yourself as a unique person, or rather add your voice to a collective conversation?

49- If you could be anything besides an artist in human form, what would you like to be?

50- What would be the most thrilling  moment or situation in timespace to find your art being enjoyed?

The #FiftyQuestions series was created by Quintan Ana Wikswo for Some Serious Business and may not be used in full or in part without permission.

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