SSB PRESENTS

Inspired by “We Started a Nightclub,” Alison Pearlman unpacks the elements that go into making radical moments that transform the course of cultural history.

A Laboratory for Experimentation, Venice was a cultural stew of innovators and risk takers.

SSB Celebrates 50 Years with an Oral History of the 70s Art Scene in LA

kelechi agwuncha envisions and constructs a new framework for restaging sound artists through public activations—drawing on experimental spatial approaches found in genres like experimental music, disco, punk, and Jamaican dub

SAVE THE UGLY MUSIC FESTIVAL, features music, raffles, murals, a clothing swap, games, and lots of other wacky, experimental art activities and people.

July 25th Zoom Webinar: “We Started a Nightclub” with Susan Martin and Kestutis Nakas moderated by Yael Friedman and hosted by Village Preservation.

The finale of Lisa Mezzacappa and Beth Lisick’s audio opera set in chatrooms at the dawn of the internet airs on June 1st.

Sunder was commissioned by pianist Conor Hanick, regarded as one of his generation’s most inquisitive interpreters of new music whose “technical refinement, color, crispness and wondrous variety of articulation benefit works by any master.” (New York Times)

SSB Away welcomes bassist, composer, producer Lisa Mezzacappa from San Francisco to Casa Kama in Abiquiu. She’ll be taking advantage of the pristine landscape and silence to fine tune her serial audio opera The Electronic Lover.