kelechi agwuncha envisions and constructs a new framework for restaging sound artists through public activations—drawing on experimental spatial approaches found in genres like experimental music, disco, punk, and Jamaican dub
Windy City residents take a deep dive into the birth of New York’s iconic Pyramid Cocktail Lounge
SAVE THE UGLY MUSIC FESTIVAL, features music, raffles, murals, a clothing swap, games, and lots of other wacky, experimental art activities and people.
Whether transforming textile waste into beautiful handmade paper and journals or walking across the US collecting litter and connecting with people and communities, Chauncey Foster, co-founder of We Grow Eco, is a visionary—facilitating interactive science, art, and community programs built upon small, unified actions that lead to habitual, social, and systemic change.
July 25th Zoom Webinar: “We Started a Nightclub” with Susan Martin and Kestutis Nakas moderated by Yael Friedman and hosted by Village Preservation.
The finale of Lisa Mezzacappa and Beth Lisick’s audio opera set in chatrooms at the dawn of the internet airs on June 1st.
In honor of the publication of “We Started a Nightclub”: The Birth of the Pyramid Cocktail Lounge as Told by Those Who Lived It, co-author Kestutis Nakas talks with key players in the book who tell their stories recalling their friends and collaborators and the culture of the East Village in the early 80s.
Panelists include John Jesurun, Kestutis Nakas, Peter Littlefield, Samoa Moriki, Julie Hair, and John Kelly. Moderated by Frank Hentschker
More than 500 people came to the HA/HA opening and 350 more to the sold out Homecoming show celebrating “We Started a Nightclub.”
The sold out show featured performances and readings by talented pioneers from the Pyramid’s heyday.
Some Serious Business presents #FiftyQuestions to highlight folks who are creating, presenting, questioning and critiquing. Each featured artist picks a handful of questions to answer. 11- What is your current guiding motivation to work and/or express yourself? Last week I opened Shadowtime, an exhibition titled after a word which I coined in 2016 with the Bureau…
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Some Serious Business presents #FiftyQuestions to highlight folks who are creating, presenting, questioning and critiquing. Each featured artist picks a handful of questions to answer. 32- How has your years in artmaking affected or influenced your sense of self? I recently began to call myself an artist. I didn’t see my creative needs as something that…
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Photo-credit for the polaroid goes to Jackson Foltz (aged 6) Some Serious Business presents #FiftyQuestions to highlight folks who are creating, presenting, questioning and critiquing. Each featured artist picks a handful of questions to answer. 26- Is destruction a positive phenomenon for you? Destruction is a slippery word. Diamanda Galas recently described her process of reinterpreting…
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Called an “American original” by The Daily Beast, Edie Meidav is the author of KINGDOM OF THE YOUNG (2017), a collection of short fiction with a nonfiction coda, and the novelsLOLA, CALIFORNIA (FSG) and CRAWL SPACE (FSG).
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I was an unhappy biology teacher. At night I would come home and do nature and sci-fi drawings. I put up a pegboard A-frame at an art fair, and sold all of my drawings. I realized I was better artist than a teacher.
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Photo credit: Josh Steinbauer Some Serious Business presents #FiftyQuestions to highlight folks who are creating, presenting, questioning and critiquing. Each featured artist picks a handful of questions to answer. 19- Who has been your greatest mentor, living or dead, real or imaginary? I don’t think I could pick just one, and all of my arty heroes…
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When I first met Arleen, I was little known outside of what I had exposed of myself within the downtown art scene of Lower Manhattan. I was a Black queer kid stalking Buster Cleveland and living with Tim Greathouse, my roommate. As I grew into some renown and celebrity in the 80s, as co-director of…
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After presenting at our most recent Comrade Truebridge Santa Fe, SSB asked Marya a few questions. SSB: How do you describe your field and what you do, and how does it interconnect? MEJ: I am a performing artist. I create works of theatre that come from my dreams and curiosities. I work in politics for a living but even…
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Above: Stephen Sprouse, photo by Mark Sink Love Among the Ruins A Short History of 56 Bleecker Gallery and Late 80s NY Presented by Some Serious Business and Howl! Happening: An Arturo Vega Project September 9–October 6, 2017 Lust of glory pricked their hearts up, dread of shame Struck them tame; And that glory and…
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HOWL! Happening: An Arturo Vega Project Gallery | Performance Space | Archive “Paying homage to both the old and new, the gallery can sometimes feel like a heady party…the shows also prove that the East Village isn’t dead.” —Michael Musto, The New York Times, March 9, 2016 Since its inception in March 2015, Some Serious Business…
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